{"id":3651,"date":"2026-01-11T11:33:13","date_gmt":"2026-01-11T11:33:13","guid":{"rendered":"https:\/\/www.visualfx.at\/wp\/?page_id=3651"},"modified":"2026-03-09T12:09:26","modified_gmt":"2026-03-09T12:09:26","slug":"filmography","status":"publish","type":"page","link":"https:\/\/www.visualfx.at\/wp\/filmography\/","title":{"rendered":"Filmography"},"content":{"rendered":"\n

Color Grading: <\/strong><\/p>\n\n\n\n

Feature films, documentaries, corporate video and commercial<\/em>s<\/p>\n\n\n\n


Wie die B\u00e4ume<\/strong>, 2025, director: Maximilian Rosenberger
Francesca Donner-Rhee \u2013 Erste First Lady von Korea<\/strong>, 2025, director: Karin Wally
(K)einen Ton sagen<\/strong>, 2024, director: Georg Lembergh, Albolina Film
Hacking at Leaves<\/strong>, 2022, director: Johannes Grenzfurthner
Razzennest<\/strong>, 2022, director: Johannes Grenzfurthner
Ordinary Creatures<\/strong>, 2020, director: Thomas Marschall, Praherfilm
Film und VFX for Florentina Holzinger in the context of Wiener Festwochen
Endphase<\/strong>, 2020, director: Hans Hochst\u00f6ger
Die Farbe des Cham\u00e4leons<\/strong>, 2020, director: J\u00fcrgen Klaubitz, Volle Pulle Filmproduktion
Das versunkene Dorf<\/strong>, 2018, director: Georg Lembergh, Albolina Film
Schwitzen<\/strong>, 2014, director: Iris Blauensteiner, Praherfilm
Dok1 documentaries<\/strong>, ORF, Neuland Film
Swimsol<\/strong>, crowdfunding campaign
Fucking Lack of Love<\/strong>, director: Jana Sulm, color grading and visual fx
Trailer Soundframe Festival<\/strong><\/p>\n\n\n\n

Numerous short films, commercials and corporate videos<\/p>\n\n\n\n

Compositing<\/strong><\/p>\n\n\n\n

Outsider Freud<\/strong>, 2025, director: Yair Qedar, in collaboration with Swics Animation
Cliffhanger 2<\/strong>, 2025, with Echo FX
Kafka, <\/strong>2025, director: David Schalko, Superfilm
Interchange<\/strong>, 2024, director: Jos\u00e9 Camargo
Sophia, Death and Me<\/strong>, 2023, director: Charly H\u00fcbner
Manta, Manta: Legacy<\/strong>, 2023, director: Til Schweiger
KaDeWe – Our Time Is Now<\/strong>, 2022, Das Erste, series
Der Palast<\/strong>, 2022, ZDF, series
Tatort \u2013 Krank<\/strong>, 2019, director: Rupert Henning, Lotus Film
7500<\/strong>, 2019, director: Patrick Vollrath, Augenschein Filmproduktion
Liebling, ich habe meine Lehrerin geschrumpft<\/strong>, 2015, director: Sven Unterwaldt, Minifilm
Collaboration on about 10 or more feature films and series for Arri Munich & Pharos<\/p>\n\n\n\n

Digital Film Restoration<\/strong><\/p>\n\n\n\n

Das Geisterhaus (The House of the Spirits)<\/strong>, Bille August, 1993, Bernd Eichinger, Constantin Film
Comedian Harmonists<\/strong>, Joseph Vilsmaier, 1998
Angst essen Seele auf<\/strong>, R W Fassbinder, 1973, Fassbinder Foundation
Die bitteren Tr\u00e4nen der Petra von Kant<\/strong>, R W Fassbinder, 1972, Fassbinder Foundation
Faustrecht der Freiheit<\/strong>, R W Fassbinder, 1975, Fassbinder Foundation
8 Stunden sind kein Tag<\/strong>, R W Fassbinder, 1972, Fassbinder Foundation
Komedie om geld<\/strong>, Max Oph\u00fcls, 1936, EYE Filmmuseum Amsterdam
Menschen untereinander<\/strong>, Gerhard Lamprecht, 1926, Deutsche Kinemathek
Unter der Laterne<\/strong>, Gerhard Lamprecht, 1928, Deutsche Kinemathek
Bastard<\/strong>, Helge Lunde, 1940, Norwegian Film Institute
A Camel<\/strong>, Ibrahim Shaddad, 1981, Arsenal Berlin
Les \u00c9quilibristes Godayou<\/strong>, 1911, Path\u00e9 brothers, \u00d6sterreichisches Filmmuseum
16mm film estate of Sigmar Polke<\/p>\n\n\n\n

And many more<\/p>\n\n\n\n

Art, Theater & Projection<\/strong><\/p>\n\n\n\n

Gilgamesch<\/strong>, director: Michael Schachermaier , Theater der Jugend, Wien
Fidelio<\/strong>, director: Nikolaus Habjan, Wiener Staatsoper, stage video with Judith Selenko
Uncanny Valley<\/strong>, exhibition by Reiner Riedler, rendering and technical support
Projection Mapping “Ode<\/strong>“, Schlosslichtspiele, director: Detlef Heusinger, in collaboration with Judith Selenko and Felix Knoche
H\u00e4nsel und Gretel<\/strong>, director: Victoria Stevens, Nationaltheater Mannheim (NTM), stage video with Judith Selenko
Don Quixote and Sancho Panza<\/strong>, Nationaltheater Mannheim (NTM), stage video with Judith Selenko & Peter Venus, 3D animation: Bernhard Hochenauer
Sperrgebiet<\/strong>, Projection in the scope of the Viertelfestival, lower Austria

<\/p>\n\n\n\n

Workshops and Trainings<\/strong>
<\/p>\n\n\n\n

2015-2022: Lecturer at SAE Vienna about postproduction and visual effects: green screen, history of visual effects, 3D tracking
2015: Workshop about filmmaking for urban planners at TU summer school
Tutorium about animation at Institute for Journalism and Communication Studies<\/p>\n\n\n\n

Workshops and trainings for the film restoration software Diamant from Hs-Art:<\/strong>

<\/p>\n\n\n\n

Cinecolor<\/strong>, Buenos Aires, Argentina
Korean Film Archive<\/strong>, Seoul, Korea
Bangladesh Film Archive<\/strong>, Dhaka, Bangladesh
Arri Berlin<\/strong>, Germany
Hollywood Scene<\/strong>, Karachi, Pakistan<\/p>\n","protected":false},"excerpt":{"rendered":"

Color Grading: Feature films, documentaries, corporate video and commercials Wie die B\u00e4ume, 2025, director: Maximilian RosenbergerFrancesca Donner-Rhee \u2013 Erste First Lady von Korea, 2025, director: Karin Wally(K)einen Ton sagen, 2024, director: Georg Lembergh, Albolina FilmHacking at Leaves, 2022, director: Johannes GrenzfurthnerRazzennest, 2022, director: Johannes GrenzfurthnerOrdinary Creatures, 2020, director: Thomas Marschall, PraherfilmFilm und VFX for Florentina […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/pages\/3651"}],"collection":[{"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/comments?post=3651"}],"version-history":[{"count":19,"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/pages\/3651\/revisions"}],"predecessor-version":[{"id":3735,"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/pages\/3651\/revisions\/3735"}],"wp:attachment":[{"href":"https:\/\/www.visualfx.at\/wp\/wp-json\/wp\/v2\/media?parent=3651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}