Color Grading:

Feature films, documentaries, corporate video and commercials

Wie die Bäume, 2025, director: Maximilian Rosenberger
Francesca Donner-Rhee – Erste First Lady von Korea, 2025, director: Karin Wally
(K)einen Ton sagen, 2024, director: Georg Lembergh, Albolina Film
Hacking at Leaves, 2022, director: Johannes Grenzfurthner
Razzennest, 2022, director: Johannes Grenzfurthner
Ordinary Creatures, 2020, director: Thomas Marschall, Praherfilm
Film und VFX for Florentina Holzinger in the context of Wiener Festwochen
Endphase, 2020, director: Hans Hochstöger
Die Farbe des Chamäleons, 2020, director: Jürgen Klaubitz, Volle Pulle Filmproduktion
Das versunkene Dorf, 2018, director: Georg Lembergh, Albolina Film
Schwitzen, 2014, director: Iris Blauensteiner, Praherfilm
Dok1 documentaries, ORF, Neuland FilmSwimsol, crowdfunding campaign
Fucking Lack of Love, director: Jana Sulm, color grading and visual fx
Trailer Soundframe Festival

Numerous short films, commercials and corporate videos

Compositing

Outsider Freud, 2025, director: Yair Qedar, in collaboration with Swics Animation
Cliffhanger 2, 2025, with Echo FX
Kafka, 2025, director: David Schalko, Superfilm
Interchange, 2024, director: José Camargo
Sophia, Death and Me, 2023, director: Charly Hübner
Manta, Manta: Legacy, 2023, director: Til Schweiger
KaDeWe – Our Time Is Now, 2022, Das Erste, series
Der Palast, 2022, ZDF, series
Tatort – Krank, 2019, director: Rupert Henning, Lotus Film
7500, 2019, director: Patrick Vollrath, Augenschein Filmproduktion
Liebling, ich habe meine Lehrerin geschrumpft, 2015, director: Sven Unterwaldt, Minifilm
Collaboration on about 10 or more feature films and series for Arri Munich & Pharos

Digital Film Restoration

Das Geisterhaus (The House of the Spirits), Bille August, 1993, Bernd Eichinger, Constantin Film
Comedian Harmonists, Joseph Vilsmaier, 1998
Angst essen Seele auf, R W Fassbinder, 1973, Fassbinder Foundation
Die bitteren Tränen der Petra von Kant, R W Fassbinder, 1972, Fassbinder Foundation
Faustrecht der Freiheit, R W Fassbinder, 1975, Fassbinder Foundation
8 Stunden sind kein Tag, R W Fassbinder, 1972, Fassbinder Foundation
Komedie om geld, Max Ophüls, 1936, EYE Filmmuseum Amsterdam
Menschen untereinander, Gerhard Lamprecht, 1926, Deutsche Kinemathek
Unter der Laterne, Gerhard Lamprecht, 1928, Deutsche Kinemathek
Bastard, Helge Lunde, 1940, Norwegian Film Institute
A Camel, Ibrahim Shaddad, 1981, Arsenal Berlin
Les Équilibristes Godayou, 1911, Pathé brothers, Österreichisches Filmmuseum
16mm film estate of Sigmar Polke

And many more

Art, Theater & Projection

Fidelio, director: Nikolaus Habjan, Wiener Staatsoper, stage video with Judith Selenko
Uncanny Valley, exhibition by Reiner Riedler, rendering and technical support
Projection Mapping “Ode“, Schlosslichtspiele, director: Detlef Heusinger, in collaboration with Judith Selenko and Felix Knoche
Hänsel und Gretel, director: Victoria Stevens, Nationaltheater Mannheim (NTM), stage video with Judith Selenko
Don Quixote and Sancho Panza, Nationaltheater Mannheim (NTM), stage video with Judith Selenko & Peter Venus, 3D animation: Bernhard Hochenauer
Sperrgebiet, Projection in the scope of the Viertelfestival, lower Austria

Workshops and Trainings

2015-2022: Lecturer at SAE Vienna about postproduction and visual effects: green screen, history of visual effects, 3D tracking
2015: Workshop about filmmaking for urban planners at TU summer school
Tutorium about animation at Institute for Journalism and Communication Studies

Workshops and trainings for the film restoration software Diamant from Hs-Art:

Cinecolor, Buenos Aires, Argentina
Korean Film Archive, Seoul, Korea
Bangladesh Film Archive, Dhaka, Bangladesh
Arri Berlin, Germany
Hollywood Scene, Karachi, Pakistan